-the show.

-the egoist.

the egoist.

-that's SS12 for RE MAKE RE MODEL show at Peter Zumthor's Summer Pavillion 2011,

Serpentine Gallery, London on 020811

-the unsatisfied press coverage.

some of the coverage from -that's AW11 "the unsatisfied" collection

- HUSK magazine, partial of London Fashion Week Special -

- UP2U magazine, Nadech Kugimiya wearing -that's AW11 -

-the show.

finally,

the internal show at London College of Fashion on 140111

terribly sorry for the neckache view, but i swear i have tried many times to rotating it

but please, enjoy the show

and yes! i just made it to the V&A press show on 020211 too!

big early present for my birthday this year!

also i have another online portfolio-ish on the LCF website, also you will be able to see many amazing works of my friends there. just follow the link below

http://showtime.arts.ac.uk/thatwasBOAT

-the unsatisfied.

it has been a long time, a very, very long time since the last time i updated my last post.

but here they are, the editorial photoshoot from the latest work of mine, the work that i am totally proud of, and the one that i can genuinely say, 'this is my collection'.

enjoy.

-more muse(s)

me moving to a next step -doing menswear.


- stunning and inspiring,
mister Luke Worrall





- young but sophistichated, yet complexity
mister Jakob Hybholt

-KHON

‘ Khon' is the most famous ancient dramatic performance of Thailand which is a combination of traditional dancing and acting that most performers are mainly males. Khon is performed by troupes of non-speaking dancers, while the story being told by a chorus at the side of the stage. And to performs this performance, almost all of the performers have to wear a mask that will characterize what they are representing on the plays

Also the other important factor that makes Khon exceptional unique is the postures and choreography. All the dancing routines which always follow traditional models rather than attempting to innovate are remarkably outstanding, including the standing positions and movements of performers as well. The basis stance of Khon is to stand upright with perpendicular arms and legs, and stay keep tramping footsteps in the same position, which suspected that it has been prototyped by the prehistory wall paintings in Cambodia and Thailand.

I interpret all the information to a menswear collection which their patterns are an interpretation of the way Khon’s performer moves and dances, developed and twisted into forms of men’s clothing. Along with some details of Khon’s mask, interpreted and combined to some parts of garment, also developing its own traditional costumess into new modification clothing ; either pattern, details, or embellish and embroideries.

-rough sketches

-collection lineup

-ranges of items

-outfits

-assesment day